Sound waves
Sound is a vibration that travels as a wave. The frequency f is how many vibrations happen in one second. It is measured in hertz (Hz). The period T is the time for one vibration, so T = 1 / f. A string that vibrates 220 times a second has f = 220 Hz and T = 1/220 s.
A higher frequency sounds like a higher pitch. A bigger swing (amplitude) sounds louder. The wave moves through air at about 343 m/s, and its wavelength is λ = v / f.
For a string with the same thickness and tension, the frequency is inversely proportional to its length: f ∝ 1 / L. Half the length gives twice the frequency.
Intervals are ratios
The jump between two notes is an interval. Its size is the ratio of the two frequencies, not their difference.
- Octave 2 : 1 (the same note, higher). In Indian music, Sa to the upper Sa.
- Fifth 3 : 2 (Sa to Pa).
- Fourth 4 : 3.
- Major third 5 : 4.
Two waves in a simple ratio meet again very often, so together they sound smooth. This is why simple ratios feel harmonious.
Scales and temperaments
A scale is a set of notes inside an octave. Old Greek tuners built one by stacking fifths (multiplying by 3/2 and bringing the note back into one octave by halving). This is the Pythagorean way. But twelve perfect fifths do not fit exactly into seven octaves: (3/2)12 = 129.75, while 27 = 128. The tiny gap, a ratio of about 1.0136, is the Pythagorean comma.
To avoid that gap, most pianos use equal temperament: the octave is split into 12 equal steps, each step a factor of 21/12 ≈ 1.05946. So the note n semitones above a base note of frequency f₀ has frequency f₀ × 2n/12. After 12 steps the factor is 2, an octave. A seventh step (a fifth) gives 27/12 = 1.4983, very close to the pure 1.5.
Indian music uses 22 small steps called shruti and sets notes by ratios from Sa, so the ear can sit on the pure Sa-Pa ratio of 3 : 2. Other systems pick other compromises. That is what "temperament" means.
Rhythm
Rhythm is time cut into equal beats. A bar (or avartan in Indian music) is a group of beats. Note lengths are fractions: a whole note is 1, a half is 1/2, a quarter is 1/4, an eighth is 1/8. In 4/4 time, four quarter notes (4 × 1/4 = 1) fill one bar.
The tempo is in beats per minute (BPM). Time for one beat = 60 ÷ BPM seconds. At 120 BPM one beat lasts 0.5 s.
Beats can be grouped unevenly: 3 + 3 + 2 = 8 (seen in many folk styles), or 3 + 2 + 2 = 7 as in the Indian Rupak tala. The groups always add up to the length of the bar.
Try it: rubber band and bottles
Stretch a rubber band over a box and pluck it. Press it in the middle to make half the length: the note goes up by an octave. Or fill 5 identical bottles with different water levels and blow across them. Predict the order of the pitches, then check. Clap a 3 + 3 + 2 rhythm with a friend.
Key formulas and definitions
- f = 1 / T (f in Hz, T in s)
- λ = v / f (v ≈ 343 m/s in air)
- String: f ∝ 1 / L (same tension and thickness)
- Interval = frequency ratio; octave 2 : 1, fifth 3 : 2
- Equal temperament: f = f₀ × 2^(n/12)
- Time for one beat = 60 ÷ BPM seconds
Worked examples
1. A string takes 0.004 s for one vibration. Find its frequency.
f = 1 / T = 1 / 0.004 = 250 Hz.
2. Find the wavelength in air of a 440 Hz note (speed 343 m/s).
λ = v / f = 343 / 440 ≈ 0.78 m.
3. A string of length 60 cm sounds 330 Hz. It is shortened to 45 cm. What is the new frequency?
f ∝ 1 / L. New f = 330 × 60 / 45 = 440 Hz.
4. Using equal temperament, find the note 7 semitones above 220 Hz. Compare with the pure fifth.
f = 220 × 2^(7/12) = 220 × 1.4983 ≈ 329.6 Hz. The pure fifth gives 220 × 3/2 = 330 Hz. The difference is under 0.5 Hz.
5. A song is at 90 BPM in 4/4 time. How long is one bar?
One beat = 60 / 90 = 2/3 s. A bar has 4 beats, so 4 × 2/3 = 2.67 s.
6. Show that twelve perfect fifths overshoot seven octaves.
(3/2)^12 = 129.746. Seven octaves is 2^7 = 128. The ratio 129.746 / 128 ≈ 1.0136, a gap of about 1.4% (the Pythagorean comma).
Common mistakes
- Thinking a higher volume means a higher pitch. Volume depends on amplitude; pitch depends on frequency.
- Adding frequencies for intervals. An octave doubles the frequency (multiply), it does not add a fixed number of Hz.
- Believing equal temperament steps are equal in Hz. They are equal in ratio (each ×1.0595), so the step in Hz gets bigger as you go up.
- Reading 3/4 time as "3 beats of 4 seconds". It means 3 beats in each bar, each a quarter note.