Spain 2º Bachillerato History of Music and Dance
Chapters: 4
1. Visual and Auditory Perception
Elements of music and dance · Features of each historical period · Artistic reception and audiences · Listening and analysis strategies
- Music History: From Chant to Pop – Music is older than writing. Every culture grew its own music, often passed on by ear, like Indian raga, African drumming and gamelan. In the Western tradition the main eras are Medieval (chant, about 500–1400), Renaissance (polyphony, 1400–1600), Baroque (1600–1750), Classical (1750–1820), Romantic (1820–1910) and the 20th century to today (jazz, recording, film, pop, electronic). Each era changed the texture (how many lines sound together), the size of the group and music's place in society.
- Music Appreciation: How to Listen and Understand Music – Music appreciation means listening with attention, noticing what is happening in the music, and being able to talk about it. Every piece is built from a few elements: pitch and melody, rhythm and tempo, dynamics (loud and soft), timbre (tone colour), texture (how many layers) and form (the plan of the piece). Knowing these words helps you compare music from any culture, from a symphony to a raga to a film song, and explain why you like it.
2. Contexts of Creation
Factors shaping musical creation · Aesthetic evolution of music and dance · Movements, creators and key works · The role of the performer · Music, dance and the other arts · Music and dance heritage
- Music History: From Chant to Pop – Music is older than writing. Every culture grew its own music, often passed on by ear, like Indian raga, African drumming and gamelan. In the Western tradition the main eras are Medieval (chant, about 500–1400), Renaissance (polyphony, 1400–1600), Baroque (1600–1750), Classical (1750–1820), Romantic (1820–1910) and the 20th century to today (jazz, recording, film, pop, electronic). Each era changed the texture (how many lines sound together), the size of the group and music's place in society.
- Cultural Heritage – Cultural heritage is everything a community receives from the past, values today and wants to pass on: buildings and monuments, objects in museums, languages, music, dance, festivals, crafts, food and knowledge. Tangible heritage can be touched (immovable like temples and bridges, movable like coins and manuscripts); intangible heritage is lived and practised; natural heritage covers special landscapes and wildlife. Heritage gives identity, teaches history, brings income through tourism and links people across cultures. It is threatened by weathering, pollution, crowds, careless development, neglect and conflict, and is protected by conservation, laws, museums, heritage lists, education and local communities.
3. Research, Critical Opinion and Dissemination
Musical research and sources · Digital media, criticism and copyright
- Research Skills: From a Question to a Finished Project – Research is a careful way of finding an answer. You ask a clear, focused question, plan how to answer it, find information and check that each source can be trusted, collect and analyse your own data, draw a conclusion that the evidence supports, and share it while crediting every source you used.
- Music Criticism – Music criticism is giving a reasoned judgement about a piece or performance, backed by evidence from the music. A good critic follows five stages: listen closely, describe what is heard with music words, analyse how the parts create effects, interpret meaning using context (who, when, where, why), and evaluate with clear criteria. Personal taste is allowed, but it must be explained, fair, and kept separate from facts.
4. Active Experimentation
Performing adapted musical works · Dances from different periods · Dramatising vocal music texts
- Music Performance: Playing Solo and in an Ensemble – Performing music means playing or singing a piece for listeners. A good performance is accurate (right notes, right rhythm), keeps a steady tempo, uses dynamics and phrasing to show feeling, and fits the style of the music. In an ensemble, players also listen to each other, balance their volume and follow cues. Good preparation is slow, careful practice in small chunks, then speeding up and performing for others.
- Dance: Elements, Choreography and Forms – Dance is movement of the body, in space and time, with energy, used to express feelings, tell stories or celebrate. Every dance can be described with four elements: Body (what moves), Space (where: levels, directions, pathways), Time (when: tempo, rhythm, pause) and Energy (how: sharp or smooth, strong or light). Choreography is the art of arranging movement using devices such as motif, repetition, canon, unison, contrast and formations. Good performers train technique, safety and expression, and good audiences describe, analyse, interpret and judge what they see. Dance forms, from classical and folk to ballet and hip-hop, grow out of their culture and history.