Poland Liceum ogólnokształcące, klasa IV History of art (extended level)
Chapters: 5
1. Chronology of art history
Art around 1900 · 20th-century art: first half · 20th-century art: second half
- Art Nouveau and Art Around 1900 – Art Nouveau (French for "new art") was a style that spread across Europe and beyond from about 1890 to 1914. Instead of copying old Greek, Roman or Gothic styles, artists took long flowing "whiplash" lines from plants, flowers, insects and water. They used new materials like curved iron and coloured glass, and gave the same style to buildings, furniture, posters and jewellery. At the same time Symbolist painters showed dreams and feelings, and early Expressionists used strong colour to show inner emotion. Organic architecture took the idea further: buildings that grow out of and fit with nature.
- Modern Art and Modernism – Between about 1880 and 1945, artists stopped copying reality and asked what art itself could do. Colour and brushwork showed feeling (Post-Impressionism, Expressionism); objects were seen from many sides (Cubism); speed and machines were celebrated (Futurism); art became pure shape and colour (abstraction, De Stijl, Constructivism); chance and dreams came in (Dada, Surrealism); and design followed function (Bauhaus, the Modern Movement). The same break happened in music, theatre and dance, and modernism spread worldwide through exchange, including India.
2. Contexts and changes in art history
Context and placing art in time and space · Patrons, influences and texts about art
- Art History: From Cave Walls to Today – People have made art for at least 40,000 years. Prehistoric art shows animals and hands on cave walls. Ancient civilisations made art for rulers, gods and the afterlife. Classical traditions arose in Greece and Rome, India, China, Africa and the Americas. The Renaissance brought perspective and realism; modern art (from about 1860) broke those rules; contemporary art uses any material. To appreciate any artwork, describe it, analyse its elements, interpret its meaning in its context, and judge why it works.
- Art Patronage: Who Pays for Art, and Why It Matters – A patron is a person or group who pays for, orders or supports art. Through history the main patrons changed: temples and churches, kings and emperors, rich merchants and guilds, then an open market of dealers and buyers, and today museums, governments, foundations, companies and online fans. Patrons often chose the subject, size, materials and even colours, and used art to show faith, power, wealth or taste. Artists slowly gained more freedom as the market grew. Collectors, critics and writers about art also shape what is valued. Reading who paid for a work helps us understand why it looks the way it does.
3. Masterpieces of architecture and visual art
Recognising and dating works · Genres, functions, symbols and iconography · Formal and comparative analysis
- Art History: From Cave Walls to Today – People have made art for at least 40,000 years. Prehistoric art shows animals and hands on cave walls. Ancient civilisations made art for rulers, gods and the afterlife. Classical traditions arose in Greece and Rome, India, China, Africa and the Americas. The Renaissance brought perspective and realism; modern art (from about 1860) broke those rules; contemporary art uses any material. To appreciate any artwork, describe it, analyse its elements, interpret its meaning in its context, and judge why it works.
- Iconography: Genres, Functions, Symbols and Attributes in Art – To read an artwork, ask four questions. What kind of picture is it (genre: portrait, landscape, seascape, still life, genre scene, religious, mythological or history scene)? How close is it to reality (realistic → simplified → abstract)? What was it made for (function: sacred, funerary, commemorative, decorative, didactic, propaganda)? What do its objects mean (symbols, allegories and attributes)? Iconography is the study of these meanings: a trident, an owl or a set of keys tells you who a figure is.
- Art Criticism: How to Look at and Judge Artworks – Art criticism is careful talk about art. A common method has four steps: describe what you see, analyse how the parts are arranged, interpret what it means or makes you feel, and judge its worth with reasons. Critics also look from different viewpoints (form, feeling, context) and use proper art words. The same method works for paintings, sculpture, buildings, dance, drama and film.
4. Great artists
Artists and their work · Comparing artists and phases
- Art History: From Cave Walls to Today – People have made art for at least 40,000 years. Prehistoric art shows animals and hands on cave walls. Ancient civilisations made art for rulers, gods and the afterlife. Classical traditions arose in Greece and Rome, India, China, Africa and the Americas. The Renaissance brought perspective and realism; modern art (from about 1860) broke those rules; contemporary art uses any material. To appreciate any artwork, describe it, analyse its elements, interpret its meaning in its context, and judge why it works.
- Art Criticism: How to Look at and Judge Artworks – Art criticism is careful talk about art. A common method has four steps: describe what you see, analyse how the parts are arranged, interpret what it means or makes you feel, and judge its worth with reasons. Critics also look from different viewpoints (form, feeling, context) and use proper art words. The same method works for paintings, sculpture, buildings, dance, drama and film.
5. Terms: structure, form, subject and technique
Describing architecture and images · Techniques of art · Architectural elements by style
- Art Criticism: How to Look at and Judge Artworks – Art criticism is careful talk about art. A common method has four steps: describe what you see, analyse how the parts are arranged, interpret what it means or makes you feel, and judge its worth with reasons. Critics also look from different viewpoints (form, feeling, context) and use proper art words. The same method works for paintings, sculpture, buildings, dance, drama and film.
- Art Materials and Techniques: Choosing the Right Media – Artists choose materials (media) for the look they want. Every paint is pigment (coloured powder) mixed with a binder that sticks it to the surface: oil for oil paint, gum arabic for watercolour, acrylic resin for acrylic, egg for tempera. Dry media include graphite pencils (H = hard and light, B = soft and dark), charcoal, pastels and coloured pencils. Wet media include ink, watercolour, gouache, acrylic and oil. Transparent media let light and lower layers show through; opaque media cover them. The support is the surface: paper (with different weights and textures), canvas, wood panel, walls. 3D processes include modelling clay, carving, construction and casting; printmaking makes many copies from one block, plate or screen. Digital media add tablets, photo and video. Good artists test materials, refine work by experimenting, and use them safely and sustainably.
- Architecture: How Buildings Stand, Look and Feel – Architecture is the art and science of designing buildings and spaces for people. Every building must carry its load to the ground: by post and lintel, by the arch, vault and dome, or by a steel and concrete frame. Each age had its style: Egyptian, Greek and Roman, Byzantine, Romanesque, Gothic, Renaissance, and modern. Architects plan with drawings (plan, elevation, section), models and CAD, and design space, light and access so that places work and feel good for everyone.