Who is in the music industry?
An industry is a group of businesses that make and sell the same kind of thing. The music industry has three big parts:
- Recorded music: making and selling recordings.
- Music publishing: managing the song itself (words and tune) and licensing it.
- Live music: concerts, festivals and tours.
Careers include: songwriter, composer, singer, instrumentalist, producer, sound engineer, session musician, A&R scout (finds new artists), manager, music lawyer, marketer, concert promoter, stage and lighting crew, music teacher, film and game composer, and music journalist.
Copyright: who owns music?
Copyright is a legal right to control copies of a creative work. A song usually has two copyrights:
- the composition (melody and lyrics), owned by the songwriter and publisher;
- the sound recording (that exact performance), usually owned by the label.
Copyright lasts a long time (in many countries, the writer's life plus 60–70 years). Then the work enters the public domain, and anyone may use it.
Sharing a song file or uploading someone else's track without permission is piracy. To use music legally you need a licence (permission), use royalty-free music, or use Creative Commons music and follow its rules. Short quotes for teaching or review can be "fair use / fair dealing", but the rules are narrow.
Media and the change to streaming
Music has moved through formats: vinyl records → cassette tapes → CDs (1980s) → MP3 downloads (2000s) → streaming (2010s onward). Today streaming brings most recorded-music income worldwide.
- Good for listeners: almost any song, cheap or free with ads.
- Good for new artists: anyone can upload through a distributor; no factory or shop needed.
- Hard for artists: each stream pays very little, often a fraction of a cent, and money is split many ways.
Playlists and recommendation algorithms now decide much of what people hear. Short-video apps can make an old song a hit overnight. Music also earns from sync: licensing songs for films, adverts and games.
How the money flows
Money comes in from streams, downloads, radio and TV plays, live shows, merchandise and sync deals. It flows back as:
- Recording royalties to the label and artist (the artist gets a share set in the contract).
- Publishing royalties to the songwriter and publisher, collected by collecting societies for public plays.
- Fees for live performance.
Worked example: 1,000,000 streams × US$0.004 = US$4,000. If the artist's share is 12%, they get about US$480. That is why many artists earn most from concerts.
Try it: follow one song
Pick your favourite song. Find, from the song credits in your music app: the singer, the songwriter(s), the producer and the label. Then use the free-play slider: how many streams would the artist need to earn one month's rent in your city? Discuss: is streaming fair to artists?
Key formulas and definitions
- Earnings = number of streams × pay per stream
- Artist share = total earnings × artist percentage
- Copyright: legal right to control copies of a work
- Royalty: payment to an owner each time their work is used
- Record label: company that funds, records and markets music
- Publisher: company that manages and licenses the song (composition)
- Licence: permission to use a copyrighted work
- Public domain: works whose copyright has ended
Worked examples
1. A song gets 250,000 streams at US$0.004 per stream. How much money is made in total?
250,000 × 0.004 = US$1,000.
2. From US$1,000, the artist gets 12%. How much is that?
0.12 × 1,000 = US$120.
3. You want to use a popular song in your school YouTube video. What are your legal options?
Ask for a licence from the owners, use royalty-free or Creative Commons music (giving credit as required), or use the platform's own licensed music library.
Common mistakes
- Thinking "found online" means "free to use". Most music online is still under copyright.
- Thinking a hit song makes the singer rich from streams alone. Streams pay a tiny amount per play and are split many ways.
- Mixing up the song (composition) and the recording. They have separate owners and separate royalties.
- Believing giving credit is enough. Credit does not replace permission.