What makes music sound like jazz?
- Swing: pairs of quavers are played long-short, giving a bouncy, forward feel.
- Syncopation: accents on the off-beats, between the main beats.
- Blue notes: the 3rd, 5th and 7th of the scale bent slightly flat for an expressive sound.
- Extended chords: 7ths, 9ths, 11ths and 13ths give a rich colour.
- Call and response: one player or section plays a phrase and another answers.
- Improvisation: making up melody on the spot, following the chords.
The band
A small group (combo) has a rhythm section β drums, double bass, piano or guitar β and front-line soloists such as trumpet, saxophone and trombone. A big band has sections of saxes, trumpets and trombones playing written arrangements. A walking bass plays one note on every beat, moving step by step through the chords.
Form: the head, solos and the 12-bar blues
Most jazz performances follow a plan: play the head (the main tune) β take turns to solo over the chord pattern (each time round is a chorus) β play the head again.
12-bar blues
Bars: I I I I | IV IV I I | V IV I I. Many jazz tunes use this loop.
32-bar song form
AABA: four 8-bar sections. The B section is the bridge, a contrast. Many popular songs used by jazz players ("standards") have this form.
iiβVβI
The chord move ii7 β V7 β Imaj7 is the most common progression in jazz. In C: Dm7 β G7 β Cmaj7.
How jazz changed: eras and key musicians
- New Orleans / Dixieland (1910sβ20s): group improvisation by trumpet, clarinet and trombone. Louis Armstrong made the solo the star, with a bright trumpet tone and scat singing.
- Swing and big band (1930sβ40s): dance music with written arrangements and riffs. Duke Ellington wrote for the special sound of each player in his orchestra and used rich, unusual harmony.
- Bebop (1940s): small groups, very fast tempos, complex chords and long, quick solo lines. Charlie Parker (alto sax) was a leader of the style.
- Cool and modal jazz (1950sβ60s): calmer sound; modal jazz improvises on scales (modes) that change slowly instead of fast chords. Miles Davis led both changes.
- Fusion (late 1960sβ): jazz mixed with rock and funk, electric instruments. Miles Davis again; later Pat Metheny used guitar synthesisers and wide, open harmonies.
- Today: jazz mixes with classical, folk and world music. Pianist Gwilym Simcock blends jazz improvisation with classical forms.
How to listen to and describe jazz
When you listen, ask:
- Instruments: which rhythm section and front line?
- Rhythm: swung or straight? Tempo? Walking bass?
- Harmony: blues, 7th chords, modal?
- Structure: head, how many solo choruses, trading fours (soloists swap 4 bars)?
- Texture: collective improvisation, solo + accompaniment, big-band sections?
- Era: which style does it fit, and why?
Use musical words and give a time point as evidence ("at 1:10 the sax starts a solo over a walking bass").
Key formulas and definitions
- Swing: longβshort quavers (about 2:1)
- 12-bar blues: I I I I | IV IV I I | V IV I I
- iiβVβI: Dm7 β G7 β Cmaj7 (in C)
- Head β solos (choruses) β head
- 32-bar form: A A B A (B = bridge)
- Walking bass: one note per beat
Worked examples
1. Write the 12-bar blues in G.
I = G, IV = C, V = D: G G G G | C C G G | D C G G.
2. At 120 BPM, how long is one beat?
60 Γ· 120 = 0.5 s. Swung, the long part β 0.33 s and the short β 0.17 s.
3. A track has fast tempo, sax and trumpet playing a tricky tune together, then very quick solos over changing chords. Which era?
Bebop (1940s): small group, fast, complex harmony β Charlie Parker style.
4. Name the iiβVβI in F major.
Gm7 β C7 β Fmaj7.
5. A piece stays on one scale (Dorian) for 16 bars while the trumpet improvises calmly. Which style?
Modal jazz, like Miles Davis in the late 1950s.
Common mistakes
- Thinking improvisation is random. Players follow the chords, the form and the style.
- Writing "the song is fast" without evidence. Give the instrument, the feature and the time.
- Mixing up swing (the rhythmic feel) with the Swing era (the 1930s big-band style).
- Calling every jazz piece a 12-bar blues. Many use 32-bar AABA or modal forms.